original review on https://www.wingsofdeath.net/Temperance-The-Earth-Embraces-Us-All
For over
two years, Temperance has brightened up my playlist with their fantastic
electro-metal sound. Their self- titled debut as well as their second album
Limitless keeps on entertaining me. Now the time has come for their third
album, and so it appears that Temperance releases a new album every year. This,
however, doesn’t affect the quality, as their latest studio wonder The Earth
Embraces Us All shows. An album that really fits the description ‘third time’s
the charm’, because now Temperance really shows what they are made of, and they
shake off the newbie image for good with an album that is filled with
fantastical composing, challenging quirks and wonderful melodies.
We open
with A Thousand Places, and it lets us know from the off that this album is
taking a more serious approach than the previous ones. Where both albums
started quite happy-joy-joy-ish, this song has a tense feeling, but despite
this change, the atmosphere as a whole stays delightfully recognizable. Up till
the last part of the song at least, where the glorious pounding makes way for a
jazzy ending. With that added saxophone it almost feels like a sitcom intro.
Talking about contrast! One thing is for sure: Temperance’s got balls!
The intro
of The Edge of Space is almost exactly the same to Nightwish’ Ghost Love Score
choir, but now as an inimitable Temperance version. Thankfully they do put their own stamp on the
rest of the song. An outstanding sing-a-long chorus and lightning speed drums
drive this one. Unspoken Words has a folky twist to it, and is the kind of
earworm that Temperance is known for. Empty Lines brings out the disco elements
and reminds the listener that Temperance has ingenious ways of combining metal
and electro.
Maschere is
Temperance’s first song sung in Italian, and it’s good that it is, because if
the language didn’t change this song would have become more of a standard ‘filler’’.
Still, Chiara sounds as lovely as always when singing in her mother tongue, and
Maschere becomes a nice, not too shabby song after all.
Haze comes
to blow my face off with a sort of trance-core intro, after which the song
keeps pounding on with a chorus that is stripped of all excessive elements, but
that makes a nice contrast as well. Fragments of Life is a delightful waltzy
powerballad, but then again maybe to full of sounds to call it a real ballad.
Still, one of the more relaxed songs on the album. It makes me long for a
beautiful, small and humble ballad, which Temperance still fails to deliver up
till now. Come on guys, you’re Italians, give me some romance!
Revolution
comes with a lyric video, and also invites to sing along loudly. Chiara’s high
and full opera vocals are back, and that’s a perk she may use more often, if I
had any say in it. An Arabic twist gives the song a boost halfway, and saves it
from the ‘standard single material’ judgment.
The first
epic on this album is Advice from a Caterpillar (Alice in Wonderland
reference?) and sounds delightfully fairytale-like at some points. A violin is
put in here and there to give it something extra, and when it comes to
atmosphere it kinda goes all over the place.
After a sweet vocalizing part, we are suddenly treated with another
smooth-jazz bit – talking about random – but that also flows back in a
grandiose manner to good old pounding.
Change the
Rhyme is a bittersweet intermezzo ‘reflection of life’ semi-ballad before we
really turn our focus to the last epic, The Restless Ride. Well, it sure makes
me restless, as it seems to be a collection of smaller songs that has been
stuck together. But it is the parts in
between that make this song worthy of the title; fucking epic! Chiara and Marco
each take their turn in the vocal department, and we’re sometimes treated with
multivocal goodness (always a great thing!), sweet, slower moments with a piano
as protagonist and a heavenly piece of choir that makes every hair on my body
stand upright. Aside from that piece of musical heaven, it kinda stays a ragtag
bunch of elements. This makes the song quite phenomenal, but the big picture is
not quite clear because of it. De speed and melody go all over the place, but
manage to find their place quite nicely at the end that still gives the song a
satisfactory ending.
It may be ‘only’
their third album, but one that forms a milestone for Temperance. It’s a huge
leap in the right direction in comparison to the last two, that were already magnificent
in their own ways, and The Earth Embraces Us All does provide a really high
standard for whatever this band is up to in the future. This is really their
best record so far, but there is still space to exceed it, though they will
have to give it a whole lot to achieve that.
Temperence, I congratulate you, The Earth Embraces
Us All, is for now, an astounding record!
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